{"id":283,"date":"2017-01-17T16:39:35","date_gmt":"2017-01-17T13:39:35","guid":{"rendered":"https:\/\/musiccompetition.eu\/?p=283"},"modified":"2021-12-19T17:32:00","modified_gmt":"2021-12-19T14:32:00","slug":"167_bergerhelene","status":"publish","type":"post","link":"https:\/\/musiccompetition.eu\/zh\/167_bergerhelene\/","title":{"rendered":"Berger Helene (Paris, France)"},"content":{"rendered":"

Pianiste concertiste – Professeur<\/strong>
\nDirectrice artistique du Cap Ferret Music Festival & Music Open<\/strong>
\nDirectrice adjointe du Concours International L\u00e9opold Bellan<\/strong><\/p>\n

 <\/p>\n

Trained by Micheline Ostermeyer, Helene Berger receives the councils of Masters such as\u00a0Tatiana Nikolaeva, who chose her to to record the 4th concerto of Beethoven for France Music and\u00a0Aquiles Delle Vigne\u00a0who recruited her in his class at the “Ecole Normale de Musique de Paris” where she win the Diploma of Higher Execution.
\nShe obtain too several first prizes at the ENM at St Germain en Laye and at the Regional National Academy of Rueil-Malmaison. In Italy, she receive the\u00a0Diploma Fondazione Romano Romanini.<\/p>\n

\nFour recitals in the Gaveau Concert Hall, tours in Asia (Japan, Singapore, Vietnam) and in Europe (Germany, Spain, Italy, Slovaki), on board at the Mermoz (Liban, Syrie, Chypre) : a career punctuated by the creation of actual composers and learning jazz with\u00a0Claude Bolling\u00a0then with\u00a0Laurent de Wilde.<\/p>\n

\nHis actually musical partners are Fran\u00e7ois-Ren\u00e9 Duchable (France) in “Music and Sport”\u00a0at two pianos,Biogroove Duo (percussions- Sicilia)\u00a0and\u00a0Raquel Lojendio\u00a0(mezzo soprano – Espana)
\nHelene Berger is a great composer for piano, two pianos, piano & percussions. She’s a brillant arranger too : his virtuosis transcriptions and arrangments are published by Mario Bois.\u00a0<\/p>\n

\nParallel to its soloist and composer activities…
\nHelene BERGER is recruited in May 2001 as a pianist arranger-guide for representations in the large national theatres (Operas of Compiegne, Bordeaux) produced by Olivier Benezech.<\/p>\n

\nHelene Berger records for France Music, France2, R.F.I, TBS Japan, as well as three compact-discs: Henri Duparc for the editions Salabert (Ricordi), Franck Roussel at Eden Rock’n’roll (Sony) with the Orchestra of Saratov directed by Hugues Reiner and CD live \u201cRecital in duet\u201d along side Fran\u00e7ois-Rene Duchable commemorating the 150th birthday of Joinville-s school (INSEP_tiragepriv\u00e9).<\/p>\n

\nHelene Berger is a titular professor of Concervatoire \u00e0 Rayonnement D\u00e9partemental of Issy les Moulineaux (France). She is regularly invited to teach in master classes and to take part of juries for international competitions and for the exam sessions of professors. (Euroarts Leipzig,\u00a0Torneo International di Musica,\u00a0Osaka Competition, CNFPT, Concours Bellan, Concours Appassionato Guadeloup…).<\/p>\n

\nShe’s founder and artistic director of\u00a0Cap Ferret Music Festival\u00a0& Academy since 2011, and vice-presidente of\u00a0Concours International Leopold Bellan\u00a0since 2013.
\nTwenty years ago, Pierre Petit say from her to Aquiles Delle Vigne: “she’s the hope of France”. Now his solist activities, his fame as teacher and his succes full for his festival and competition, helping young talents, Helene Berger correspond to this prediction.<\/p>\n

\nHELENE BERGER helene.berger@neuf.fr
\n06 10 29 87 58<\/p>\n

\nen quelques lignes…<\/p>\n

 <\/p>\n

\nH\u00e9l\u00e8ne Berger<\/strong>\u00a0est form\u00e9e initialement par Micheline Ostermeyer. Rep\u00e9r\u00e9e par Pierre Petit en 1986 qui la qualifie d\u2019\u00ab espoir de la France \u00bb, H\u00e9l\u00e8ne poursuit sa progression aupr\u00e8s de Tatiana Nikolaeva et Aquiles Delle Vigne. En d\u00e9coule un d\u00e9but brillant de carri\u00e8re internationale (4 r\u00e9citals salle Gaveau, tourn\u00e9es au Japon et en Europe) qui la conduit \u00e0 \u00eatre s\u00e9lectionn\u00e9e pour les masters de Monte Carlo 2000, parmi 14 candidats internationaux. Le besoin de rester dans une logique de cr\u00e9ation et d\u2019apprentissage l\u2019am\u00e8ne \u00e0 d\u00e9couvrir le jazz aupr\u00e8s de Claude Bolling et Laurent de Wilde, la composition, les spectacles mis en sc\u00e8ne tel Musique et Sport \u00e9labor\u00e9 \u00e0 2 pianos avec Fran\u00e7ois Ren\u00e9 Duch\u00e2ble . Invit\u00e9e en tant qu\u2019assistant d\u2019Aquiles Delle Vigne au Festival EUROARTS de Leipzig en 2008, H\u00e9l\u00e8ne Berger fait son entr\u00e9e sur la sc\u00e8ne internationale, forte d\u2019un r\u00e9pertoire vari\u00e9 et \u00e9clectique.
\nH\u00e9l\u00e8ne Berger est professeur titulaire au Conservatoire \u00e0 Rayonnement D\u00e9partemental d\u2019Issy-Les-Moulineaux (France), fondatrice et directrice artistique du Cap Ferret Music Festival (Gironde) et directrice adjointe du Concours International Leopold Bellan (Paris-France)<\/p>\n

\nPARCOURS PROFESSIONNEL
\nENSEIGNEMENT
\n\u2022 depuis 1995\u00a0: Professeur piano Grand Paris Seine Ouest CRD d\u2019Issy les Moulineaux\u00a0titularis\u00e9e en 2002 ; depuis 2010 conduite de projets, cr\u00e9a logo, affiches & website via l\u2019association des professeurs Art en Sc\u00e8ne
\n\u2022 de 2005 \u00e0 2010\u00a0: Formations ponctuelles enseignants outremer \u00ab la Cl\u00e9 des Arts \u00bb Guadeloupe
\n\u2022 de 1990 \u00e0 1995\u00a0: professeur de piano \u00e0 l\u2019ENM de Chambourcy (78)
\n\u2022 de 1988 \u00e0 1990\u00a0: professeur de piano \u00e0 l\u2019ENMAD de Cambrai (59)<\/p>\n

FESTIVALS \u2013 PROGRAMMATION CULTURELLE – CONCOURS
\n\u2022 depuis 2011\u00a0: cr\u00e9ation et direction du Cap Ferret Music Festival- Festival et Acad\u00e9mie, ouverture du 2\u00e8me centre de pr\u00e9s\u00e9lection en France au Cap Ferret pour le Tournoi International de Musique
\n\u2022 depuis 2006\u00a0: Collaboratrice Concours International L\u00e9opold Bellan, directrice adjointe depuis 2012
\n\u2022 2008 \u00e0 2012 Membre Jury CNFPT (2008), CRR Paris (2011\/ 2012) et concours internationaux (dont TIM)
\n\u2022 2011: cr\u00e9atrice et conseill\u00e8re artistique du festival solidaire au b\u00e9n\u00e9fice des Restos du C\u0153ur 92
\n\u2022 depuis 2009\u00a0: Concerts de Saint Cloud : cr\u00e9ation design & gestion website, aide organisation
\n\u2022 de 2005 \u00e0 2011: Concours Appassionato (Antilles) directrice du jury \/ cr\u00e9ation et gestion website
\n\u2022 de 2001 \u00e0 2004\u00a0: Programmation concerts classiques du Train de Vie (Paris 75004)
\n\u2022 de 1999 \u00e0 2001\u00a0: Festival-Stage \u00ab Piano \u00e0 deux temps\u00a0\u00bb (Limousin): cr\u00e9ation et direction artistique<\/p>\n

CARRIERE CONCERTISTE
\nDepuis 1990, r\u00e9citals soliste salle Gaveau, tourn\u00e9es en France, Asie et Europe. Concerts avec orchestres (Saratov, Orchestre Philharmonique d\u2019Europe, Orchestre Bell Arte, OP de Tokyo\u2026) Cr\u00e9ation d\u2019\u0153uvres actuelles (Matynia, Visvikis, Gassot). Partenaires\u00a0principaux : Fran\u00e7ois-Ren\u00e9 Duchable, Guislaine Raphanel, Edoardo Catemario, Benoit Dunoyer de Segonzac, Julie Saury\u2026 Spectacles dans les th\u00e9\u00e2tres nationaux. Arrangements et compositions \u00e9dit\u00e9s chez Mario Bois. Enregistrements pour France Musique, France 2, R.F.I, TBS Japan et 3 CD : Henri Duparc( Salabert-Ricordi), Franck Roussel (Eden Rock-Sony)et \u00ab R\u00e9cital en duo \u00bb avec Fran\u00e7ois-Ren\u00e9 Duchable (INSEP-tirage priv\u00e9).<\/p>\n

ETUDES
\nFORMATIONS PROFESSIONNELLES COMPLEMENTAIRES
\n\u2022 2012 CNFPT conduite de projets (gestion, pilotage)
\n\u2022 2008 EQUAL-IT stage webmaster et graphiste
\n\u2022 2006 MARMOUSET PROMOTIONS stage communication
\n\u2022 2003 CNFPT formations assistant sp\u00e9cialis\u00e9 disciplines artistiques.
\n\u2022 2002 CLINIQUE DU MUSICIEN Philippe Chamagne posture du musicien<\/p>\n

PROFESSEURS\u00a0PRINCIPAUX
\nPIANO\u00a0: Micheline Ostermeyer- Aquiles Delle Vigne- Ventsislav Yankov- Tatiana Nikolaeva
\nJAZZ\u00a0: Claude Bolling- Laurent de Wilde \/ ORGUE\u00a0: Susan Landale \/ CLAVECIN\u00a0: Huguette Dreyfus<\/p>\n

ACADEMIES\u00a0INTERNATIONALES : Acad\u00e9mie internationale de NICE \u2013 Semaines musicales de TOURS – Acad\u00e9mie festival des ARCS – Acad\u00e9mie ROMANO ROMANINI.<\/p>\n

DIPL\u00d4MES CONSERVATOIRES et STRUCTURES
\n\u2022 2002\u00a0: Dipl\u00f4me CNFPT d\u2019assistant sp\u00e9cialis\u00e9 piano
\n\u2022 1991\u00a0: Dipl\u00f4me d\u2019Etat de professeur de piano
\n\u2022 1988\u00a0: Dipl\u00f4me de la fondation Romano Romanini (Italie)
\n\u2022 1987\u00a0: 1er prix unanimit\u00e9 premi\u00e8re nomm\u00e9e piano CNR de Rueil-Malmaison
\n\u2022 1986\u00a0: Ecole Normale de Musique Alfred Cortot licence de concert, 1\u00e8re fran\u00e7aise nomm\u00e9e
\n\u2022 1981 \u00e0 1988\u00a0: 1ers prix \u00e0 l\u2019unanimit\u00e9 avec f\u00e9licitations du jury en piano, musique de chambre, formation musicale, harmonie \u00e0 l\u2019ENM de Saint-Germain en Laye
\n\u2022 1981\u00a0: Baccalaur\u00e9at A1 bis (lettres anciennes + math\u00e9matiques)<\/p>\n

Grade \u00e0 compter du 01\/04\/2012\u00a0: Assistant d\u2019enseignement artistique principal de 1\u00e8re classe 5\u00e8me \u00e9chelon Indice brut 497 indice major\u00e9 428
\nLangues\u00a0: fran\u00e7ais-anglais, allemand parl\u00e9.
\nLogiciels\u00a0: Word, Excel, Photoshop, Publisher, Dreamweaver, montage son et vid\u00e9o, en cours\u00a0: e design Qualit\u00e9s\u00a0: assiduit\u00e9, cr\u00e9ativit\u00e9, sens hi\u00e9rarchique, professionnalisme, esprit d\u2019\u00e9quipe, curiosit\u00e9, anticipation.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pianiste concertiste – P…<\/p>\n","protected":false},"author":1,"featured_media":54310,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/musiccompetition.eu\/zh\/wp-json\/wp\/v2\/posts\/283"}],"collection":[{"href":"https:\/\/musiccompetition.eu\/zh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musiccompetition.eu\/zh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musiccompetition.eu\/zh\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musiccompetition.eu\/zh\/wp-json\/wp\/v2\/comments?post=283"}],"version-history":[{"count":0,"href":"https:\/\/musiccompetition.eu\/zh\/wp-json\/wp\/v2\/posts\/283\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musiccompetition.eu\/zh\/wp-json\/wp\/v2\/media\/54310"}],"wp:attachment":[{"href":"https:\/\/musiccompetition.eu\/zh\/wp-json\/wp\/v2\/media?parent=283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musiccompetition.eu\/zh\/wp-json\/wp\/v2\/categories?post=283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musiccompetition.eu\/zh\/wp-json\/wp\/v2\/tags?post=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}